
Sunrise over rural Australia. Kangaroos stretch, horses graze in the
early morning mist, as we hear the twanging steel guitars of Nashville
Train playing 'Please Change Your Mind'. Ashley Wallace, the
midnight-to-dawn disc jockey for country radio station 2TW is signing
off for the air at the end of his shift.
"ABBA. The hottest property on the pop scene today" declares the station
manager, who has called Ashley to his office for a special assignment. He wants
Ashley to produce a two hour radio special on ABBA, to be broadcast on the night
of their departure following their concert tour. He wants Ashley to get to know
them find out what they feel, what they think. He doesn't want an interview, he
wants a dialogue. He pronounces "This is gonna be world-wide!"
As a QANTAS jet flies across the city of Sydney, three cartoon figures drag
the letters A, B and A onto the screen. But where is the other B? Chasing the
fourth figure across the screen until the letters spell out ABBA. As the plane
lands the opening titles appear on screen.
Sydney Airport is filled to capacity with thousands of screaming ABBA fans,
all waiting to see their favourite group. Ashley is also at the airport,
struggling to get through the crowd so that he can get to meet ABBA.
Unfortunately for him and the fans, the group arrives, but are ushered out a
back exit, away from the crowd. The announcement comes over the public address
system, "ABBA regrets that they cannot see their fans". Ashley asks another of
the many journalists present where ABBA are going to next, so that he can catch
up with them to get his interview, and is told that their press conference
starts in half an hour.
Ashley hires a fast car to get to ABBA's hotel for the press conference. As
the press conference starts he gets caught in the wrong traffic jam. At the
press conference ABBA answer questions from the assembled media representatives.
When asked about touring, Björn says that "it kills creativity" while Frida says
that "it's fantastic to be on stage". Benny fears that the fans won't like the
concert, saying that he'd "hate the sound of thirty thousand people booing".
Some young girls representing a youth magazine ask about drugs, to which Benny
responds "we're not clean, but we don't do drugs". When asked the inevitable
question about having the sexiest bottom in Europe, Agnetha wittily answers "How
can I answer to that? I don't know, I haven't seen it!"
After speeding through heavy traffic and down narrow city streets Ashley
finally arrives at the press conference but it has finished and ABBA have left.
ABBA's first scheduled concert coincides with a torrential rainstorm. Tense
negotiations are held back stage between Björn, Benny, ABBA's manager Stig
Anderson and tour promoter Paul Dainty as to whether the concert should go on.
Being assured that the stage is safe, the decision is made for the concert to go
on.
ABBA are standing backstage waiting for their cues. As the music starts Frida
and Agnetha test their voices one last time, then ABBA take to the stage. Benny,
Björn, Frida then Agnetha run onto the stage to be greeted by tumultuous
applause, and burst into 'Tiger'.
Ashley tries to buy a ticket, but is told that the concert is completely sold
out, and he won't be able to get in without a Press Card. Meanwhile on stage
Björn greets the crowd with a rousing "Hello, Sydney!", and tells the crowd "you
make us forget the rain, hope we can make you forget it too" as Benny plays the
introduction to 'SOS'. Outside Ashley is cornered by a ticket scalper, who
offers to sell him a ticket for $50. Of course Ashley doesn't have the money, so
as ABBA sing 'Money, Money, Money' he's still stuck outside the concert venue. A
huge fireworks display is an appropriate end to the concert.
The next day ABBA are participating in a photo call on the steps of the
Sydney Opera House. Ashley speeds to the scene, this time arriving in time. He
pushes through the crush of photographers, calling out to ABBA that he'd like to
go for a quiet drink to talk to them. Of course ABBA look quite bemused at this
strange, pushy person, while their bodyguard tells Ashley that there's no
interviews today.
Back in concert ABBA sing one of their earliest hits, 'He Is Your Brother'.
Ashley phones his boss to tell him that he has to follow ABBA to Perth. The
station manager is astounded: "That's two thousand miles and a very expensive
airfare away!" Ashley explains that by going to Perth only then will he be able
to glean the "personal side" to ABBA that he needs for the radio special.
Before embarking to Perth Ashley runs around Sydney, gathering up ABBA
magazines, t-shirts and other paraphernalia, so that he can study up on ABBA
during his long flight. Meanwhile we see Benny in his concert highlight,
'Intermezzo no
1'.
After spending the flight reviewing ABBA's biographies, Ashley arrives in
Perth, where he starts to gather interviews with people on the street for their
opinions of ABBA. Many Australians say that they like ABBA's clean image when
compared to other groups of the day, though one young girl thinks they're
"boring". As if in defiance of this charge ABBA charges into 'Mamma Mia'.
Ashley manages to bluff his way backstage. He hears music and laughter coming
from one of the rooms, where a top hat-clad Benny is playing a Swedish folk
tune, "Polkan Går" on his accordion, while many members of the backing band clap
and laugh along. The bodyguard catches Ashley and escorts him out of the
backstage area, as Björn launches in 'Rock Me'. Dejected, Ashley walks along a
nearby beach flocked seagulls, as Agnetha sings 'I've Been Waiting For You'.
Later he goes to ABBA's hotel to try to get in to see them. Upon arrival
several other journalists exit the elevator, advising him that there's "no
chance" that he'll get to see ABBA, but they tell him which floor they're on
anyway. Ashley assures them that he's "a professional!". ABBA are sitting in
their room reading reviews of their first concert during the rainstorm in Sydney
with such headlines as ABBA RISKED THEIR LIVES and AGNETHA'S BOTTOM TOPS SHOW.
Reading another headline, Björn asks the bodyguard what "kinky" means. The
bodyguard explains that it's like perversion Reading the headline ABBA'S KINKY
VELVET BED prompts the bodyguard to comment that it's the journalists that are
perverted. Ashley's attempts to get to ABBA are thwarted this time by a giant
Swedish guard with seemingly a one word vocabulary ('nej'). The bodyguard hears
the disturbance and escorts Ashley back into the elevator and out of the
building.
Returning to his hotel, Ashley reads an ABBA magazine as he goes to sleep.
With ABBA on his mind so much, it's no surprise that he dreams of them. To the
soundtrack of the song 'The Name Of The Game' Ashley dreams that the girls sing
to him as the rest of the press are held back by the bodyguard. Ashley is then
playing therapist to Agnetha and Frida. ABBA then welcome him to dinner,
toasting him as the girls vie for his attention. Next he's playing cards with
Benny and Björn in a seedy western bar (where the barman looks very familiar).
Suddenly he is woken by the ringing telephone, and realises it was all a dream.
The station manager wants to know how the interview is going, and when Ashley
tells him that he has to tag along to Adelaide, the exasperated manager cries "everlovin'
Adelaide's taking a chance with you!"
An exercise class full of very young girls in leotards are dancing and
singing to 'Ring Ring'. Meanwhile, the stage is being constructed for the next
concert, and ABBA are in discussion with tour coordinator Thomas Johansson.
Ashley is conducting more interviews with the public. A music critic talks of
taking an ABBA song apart, and only being able to put it back together the way
it was originally constructed. Back at the preparations for the next concert
Benny pronounces the audience seats to be "very comfortable".
As the time for the next concert approaches, merchandise sellers outside the
concert venue are making a fortune selling licensed ABBA merchandise. To the
never-ending chants of "we want ABBA", the group romps into 'Why Did It Have To
Be Me'.
Recording the thoughts of a couple of young girls, Ashley is amused to find
that one of these pre-pubescents likes ABBA because "one of the man's sexy"
[sic]. Back on stage again ABBA are singing 'When I Kissed The Teacher'.
Gathering more interviews with people in the street, an elderly gentleman
tells an amazed Ashley that "ABBA's in the Bible. It means 'Father'". Listening
to these interviews frustrates Ashley further, and he mutters "I just gotta get
that interview" as he slams down the cover of his tape recorder.
The backing singers, lit in dark, moody reds and greens are belting out the
chorus to 'Get On The Carousel'. Agnetha and Frida, dressed identically with
matching blonde wigs, gyrate across the stage singing this song about the
torments of being trapped inside fame. Intercut with the song we glimpse behind
the scenes on the tour, including a tense confrontation with a film crew in a
hotel corridor.
The next morning Ashley is on the phone with his boss again. He says he must
travel to Melbourne with ABBA to get the right sort of dialogue that the station
manager seeks. The station manager is at the end of his rope. Nervously lighting
a cigarette he informs Ashley that the radio special is to be aired tomorrow at
6 o'clock.
Dejected Ashley is sitting in the courtyard of ABBA's hotel in Melbourne,
when who should he spy coming towards him but ABBA's manager, Stig Anderson. He
approaches Stig and tells him that he must get an interview with ABBA. Against
the protestation of the bodyguard, Stig agrees, telling Ashley to be at the
hotel reception at 10 the next morning.
Back at the concert the next song is introduced by the Narrator, dressed in
top hat, cape and heavy theatrical make up: "She feels like a marionette!" as
the spotlight hits Agnetha and Frida, standing back to back and dressed
identically, and they sing 'I'm A Marionette'.
Back at their hotel Frida is exercising with Richard Norton, one of the
Australian tour bodyguards. As Richard takes Frida through the exercises,
Frida's son Hans and Benny's son Peter watch from the pool.
ABBA travel to the concert venue through crowds of adoring fans, waving
through the windows of their Rolls Royce. At the venue Ashley has finally gained
access. Cheekily he winks at the bodyguard as he heads toward his front row
seat. Gloating, Ashley informs the man in the neighbouring seat "I'm gonna talk
to them tomorrow!"
ABBA take to the stage singing their biggest local hit 'Fernando'. As a treat
for the assembled fans they encourage the audience to sing along with the
chorus, which Frida pronounces "very good!". The Björn announces that it's time
"to get up, 'cause we're gonna play a dancing number for you now........
'Dancing Queen'". The audience goes wild as Benny hits the keyboard and the song
starts. Backstage Frida and Agnetha rush to make it in time, and of course don't
miss their cue. The whole audience is on their feet, screaming and dancing.
The next morning Ashley awakes to the sound of a highland band. Realising
he's slept in, he hurriedly dresses and rushes to ABBA's hotel, but he knows
even before he gets there that ABBA have left, telling the receptionist rather
than asking her, "I suppose they've left already". Exasperated, he leans over
and kisses the receptionist on the cheek.
Meanwhile as their final appearance of the tour ABBA are making an appearance
on the Town Hall balcony as part of Melbourne's Moomba Festival. Ashley tries
unsuccessfully to push through the thousands of fans that have come to see ABBA.
Ashley returns to his hotel, to be informed by the desk clerk that his Press
Card has arrived. Disgruntled, Ashley informs the clerk to "keep it, it's
yours". Walking down a crowded city street, Ashley tests, then screams into his
microphone as ABBA swing into 'So Long'.
Returning to his hotel, packing up is microphone, Ashley enters the elevator
only to find four people already in it: Björn, Agnetha, Benny and Frida! As he
hurriedly tries to plug his microphone back into the recorder he mumbles that
he'd like to get an interview. As the lift doors close the song 'Eagle' starts,
and as the lift rises we see Ashley deep in conversation with ABBA.
Thanking ABBA as he exits the lift, Ashley rushed back to his room to call
the station manager and inform him that he's got the interview. Excited, the
station manager tells Ashley the he knew he could do it. Now all Ashley has to
do is get back to the radio station, and it's already after 5!
As ABBA greet fans at the airport and sign autographs, Ashley jumps into a
taxi and rushed back to the radio station, editing his tape in transit. When the
driver finds out what Ashley is doing, he starts criticising ABBA's concert,
talking about Agnetha's bottom and questioning what sort of a song is "I am a
tiger"?
As ABBA board their plane, farewelling those that have travelled with them
during the tour, Benny says "this is a crazy thing to do, you know, leaving".
Meanwhile Ashley has arrived at the radio station, and he rushed down the
corridor to the studio, getting the tape of his special on the spool with
seconds to spare. As promised at exactly six o'clock Ashley's special goes to
air, and as ABBA's plane takes off the introduction to 'Thank You For The Music'
starts. We see ABBA performing the song in the recording studio, on a darkened
stage and in concert. At the end of the song the screen fades to black, then as
the chorus starts again we see ABBA in the cottage on the island of Viggs' in
the Stockholm archipelago, and as the camera pans back the
credits scroll up the screen.
THE END
Opening credits Closing
credits
Behind the scenes
Songs
ABBA - THE MOVIE: In Their Own Words
ABBA - THE MOVIE on video
The Secret Guide to ABBA - THE MOVIE
ABBA - THE MOVIE Gallery
© 1997 by Ian Cole, Sydney Australia
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